![]() ![]() ![]() During the revamp, they actually had to remove the roof from the building in order to fit the behemoth into the theater. Yet, the most impressive detail about the Encore is their new screen. While seeing Get Out and Split both in this same theater, the clarity and separation was nearly perfect, revealing a great mix for both movies. Their audio system is powered by a Klipsch engineered product, Trinnov Audio Ovation. Colors are vibrant and blacks look deep and pristine. Their new projection system is a true 4K digital system that's super crisp and highly detailed. The upkeep and care that's given to the Encore is top tier. This massive venue is definitely worth the price of the ticket and still looks brand new inside. Totally removing the food court from the mall allowed for a much bigger and better theater in the local area. ![]() It's a comfortable theatrical experience that feels like it's trying to capture the luster of the Dolby Cinema without spending too much on their massive remodel. The Encore Big Picture Experience in Monroe is basically a rebuild of an older cinema room that's been maximized with excellent ambient red lighting, fully reclining electric leather chairs, and great sound. This is strictly for Michigan based theaters. ![]() This is a separate series from our Destination Film chronicle that covers movie houses from all around the world. It's my goal to visit as many Michigan theaters as possible over the course of 2017 and will continue to log the locations here. and I've also visited some primo locations like the local Dolby Cinema (my home base) in Clinton Township, Mi. Over the past couple months I've found myself in crusty, vinyl seated cinemas of old in areas like Jackson, Mi. Hints of Chicano, Philly, Chicago, Memphis, and even Panama soul turn up here, and while it’s tempting to toss around labels like “retro” with a deliberately analog collection like this, there’s also something distinctly modern about the band that defies easy categorization, a rawness and a sincerity that transcends time and place.In my travels, I try to find as many unique and/or updated movie houses as possible. Produced by Bosco Mann (aka Daptone co-founder Gabriel Roth), Thee Sacred Souls is a warm and textured record, mixing the easygoing grace of sweet ’60s soul with the grit and groove of early ’70s R&B, and the performances are utterly intoxicating, with Lane’s weightless vocals anchored by the rhythm section’s deep pocket and infectious chemistry. Indeed, there’s something inevitable about the sound of Thee Sacred Souls, as if Garcia and his bandmates-bassist Sal Samano and singer Josh Lane-have been playing together for a lifetime already. “Things just seem to happen naturally when the three of us get together.” “Every step of the way has just been so organic,” says drummer Alex Garcia. Now, the breakout San Diego trio is ready to deliver yet another landmark first with the release of their self-titled debut. The band’s first club dates led to a record deal with the revered Daptone label their first singles racked up more than ten million streams in a year and garnered attention from Billboard, Rolling Stone, and KCRW and their first fans included the likes of Gary Clark Jr., The Black Pumas, Princess Nokia, and Timbaland. For Thee Sacred Souls, the first time is often the charm. ![]()
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